Rap Music Essays (Examples)
Study Document
Effects Of Domestic Violence On African American Women
… women according to their analysis. African-American women also experience high rates of mental abuse and 20% of the African-American female population will be rap at some point in their lives (Institute for Women’s Policy Research, 2017). Black women are also 2.5x more likely to be murdered by ……
References
References
Adorno, T., & Horkheimer, M. (2007). The culture industry: Enlightenment as mass deception. Stardom and celebrity: A reader, 34.
Bandura, A. (2018). Toward a psychology of human agency: Pathways and reflections. Perspectives on Psychological Science, 13(2), 130-136.
Bent-Goodley, T.B. (2001). Eradicating domestic violence in the African American community: A literature review and action agenda. Trauma, Violence, and Abuse: A Review Journal, 2,316-330.
Franklin, D.L. (2000). What\\\\\\'s love got to do with it? Understanding and healing the rift Between Black men and women. New York: Simon and Schuster
NCADV. (2017). Statistics. Retrieved from https://ncadv.org/statistic s" target="_blank" REL="NOFOLLOW">
Study Document
Female Hip Hop Artists Impact
… though their accomplishments and impact have been understated and unsung. Yet any cursory examination of the history of hip hop reveals countless female music and performers. Some, like Queen Latifah, Missy Elliot, Salt-N-Pepa, Lauryn Hill, and Nicki Minaj, become household words. Hundreds of others remain behind the … Elliot, Salt-N-Pepa, Lauryn Hill, and Nicki Minaj, become household words. Hundreds of others remain behind the scenes, known mainly to audiophiles or serious music historians. Tracing hip hop back to its roots shows how the music genre and its ethos evolved as the counterpart to a broader movement for social and political change. Women have remained at the forefront … deserve, but the artists who have made it their business have paved the way for younger women to take control over their image, music, and branding. Women have at times mimicked their male counterparts, such as through female-led gangsta rap, but……
References
Works Cited
Bruce, La Mar Jurelle. “’The People Inside My Head, Too’: Madness, Black Womanhood, and the Radical Performance of Lauryn Hill.” African American Review, Vol. 45, No. 3 (2012): 371-389.
Jamerson, J’na. ““Best-of” lists and conversations often exclude women. Why?” BBC. 8 Oct, 2019. Retrieved from http://www.bbc.com/culture/story/20191007-why-are-there-so-few-women-in-best-of-hip-hop-polls
Morris, Tyana. “The Evolution of Women in Hip Hop.” The Pine Needle. 31 Jan, 2018. Retreived from https://www.pineneedlenews.com/single-post/2018/01/31/The-Evolution-of-Women-in-Hip-Hop
Orcutt, KC. “Each One, Teach One | What generations of women in hip hop teach us about perseverance.” Revolt. Oct 16, 2019. Retrieved from https://www.revolt.tv/2019/10/16/20917629/women-in-hip-hop-lessons
Oware, Matthew. “A ‘Man’s Woman’?” Journal of Black Studies, Vol. 39, No. 5 (2007): 786-802.
Tillet, S. (2014). Strange Sampling: Nina Simone and Her Hip-Hop Children. American Quarterly, 66(1), 119–137. doi:10.1353/aq.2014.0006
UDiscover (2019). Let’s talk about the female MCs who shaped hip-hop. Dec 9, 2019. Retrieved from https://www.udiscovermusic.com/stories/the-female-rappers-who-shaped-hip-hop/
White, Theresa R. “Missy “Misdemeanor” Elliott and Nicki Minaj.” Journal of Black Studies, Vol. 44, No. 6, (2013): 607–626. doi:10.1177/0021934713497365
Study Document
Hip Hop History And Culture
… of sampling tracks from other songs and artists that are not in any way associated with hip hop has enabled the genre of music to reinvent songs and sounds in a way that brings new life and new blood to art form. By sampling other artists hip … transcended the status quo and incorporated everything that has come before into something that is unique in much the same way African American music did in the late 19th and early 20th centuries when they developed the music genres of jazz and blues by incorporating other music traditions into their own music experiences and creating something wholly their own. Hip hop history and culture is thus a blend of the black experience in America that … Furious Five was no exception. As Jon Pareles points out, Grandmaster Flash and the Furious Five “proved that hip-hop was more than party music with……
References
Works Cited
BBC. “The birth of hip hop.” BBC. https://www.bbc.co.uk/programmes/p04s04nk
Best, Steven, and Douglas Kellner. "Rap, black rage, and racial difference." Enculturation 2.2 (1999): 1-23.
Brown, Jake. Tupac Shakur, (2-Pac) in the Studio: The Studio Years (1989-1996). Phoenix, AZ: Colossus Books, 2005.
Decker, Jeffrey Louis. "The state of rap: Time and place in hip hop nationalism." Social Text 34 (1993): 53-84.
Fluker, Walter. The Stones that the Builders Rejected. Harrisburg, PA: Trinity Press International, 1998.
Grandmaster Flash and the Furious Five. “The Message.” https://www.youtube.com/watch?v=PobrSpMwKk4
Jones, E. Michael. Libido Dominandi: Sexual Liberation and Political Control. South Bend, IN: St. Augustine’s Press, 2000.
Pareles, Jon. “Hip-Hop Is Rock ’n’ Roll, and Hall of Fame Likes It.” The New York Times, 13 March 2007. https://www.nytimes.com/2007/03/13/arts/music/13hall.html
Study Document
Impact Of Culture On Domestic Violence
… perception begets a cycle of anger and resentment, which is compounded by other media depictions of black activities especially those in hip hop, rap and music videos by artists like 50 Cent or Lil Wayne. Blacks are portrayed as womanizing drug addicted hoodlums. Kanye West confesses that he too ……
References
References
Adorno, T. & Horkheimer, M. (2007). The culture industry: Enlightenment as mass deception. Stardom and celebrity: A reader, 34, 2007.
Bandura, A. (2018). Toward a psychology of human agency: Pathways and reflections. Perspectives on Psychological Science, 13(2), 130-136. https://doi.org/10.1177/1745691617699280
Breger, M. L. (2017). Reforming by re-norming: How the legal system has the potential to change a toxic culture of domestic violence. J. Legis., 44, 170.
Cashmore, E. (2006). The Black culture industry. Routledge.
Coleman, L. (1974). Carl Van Vechten Presents the New Negro. Studies in the Literary Imagination, 7(2), 85.
Cramer, E. P., Choi, Y. J., & Ross, A. I. (2017). Race, Culture, and Abuse of Persons with Disabilities. In Religion, Disability, and Interpersonal Violence (pp. 89-110). Champaign, IL: Springer.
Davis, A. (2012). The Meaning of Freedom. San Francisco, CA: City Light Books.
Decker, J. L. (1993). The state of rap: Time and place in hip hop nationalism. Social Text, (34), 53-84.
Study Document
How Media Perpetuate Racism
...Rap music When Willie Lynch wrote his letter to white slave owners in America in the 17th century, laying out the blueprint for the American Establishment on how to create racial tensions in order to facilitate the white slave owners’ rule over their African slave, he unwittingly laid the foundation stone for American elitism and racism that has since come to characterize the ruling class’ use of mass media in controlling the population (Heaggans). As Horkheimer and Adorno later showed in their analysis and dissection of the Culture Industry, the controllers of mass media have essentially used the basic framework of Lynch to perpetuate the idea of racism and to use race as a means of dividing and conquering the population, keeping the mass of men and women disunited and disempowered, turned against themselves, focused on their own external differences, and preventing them from uniting and standing up to the powers that……
References
Works Cited
Adorno, Theodor and M. Horkheimer. The culture industry: Enlightenment as mass deception. Stardom and celebrity: A reader, 34, 2007.
Aldrige, Derick. “From Civil Rights to Hip Hop: Toward a Nexus of Ideas.” http://www.thehiphopproject.org/site/pdfs/hhp_civilRights.pdf
Blair, Elizabeth. “The Strange Story of the Man behind Strange Fruit.” NPR. http://www.npr.org/2012/09/05/158933012/the-strange-story-of-the-man-behind-strange-fruit
Cashmore, Ellis. The Black culture industry. Routledge, 2006.
Collins, Patricia Hill. "New commodities, new consumers: Selling blackness in a global marketplace." Ethnicities 6.3 (2006): 297-317.
Davis, Angela. The Meaning of Freedom. San Francisco, CA: City Light Books, 2012.
Guy, Talmadge C. "Gangsta rap and adult education." New directions for adult and continuing education 2004.101 (2004): 43-57.
Heaggans, Raphael C. "When the oppressed becomes the oppressor: Willie Lynch and the politics of race and racism in hip-hop music." West Virginia University Philological Papers 50 (2003): 77-81.
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