Artist Essays (Examples)

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Female Hip Hop Artists Impact

Pages: 6 (1746 words) Sources: 8 Document Type:Research Paper Document #:79905236

… feminism does not become whitewashed. Patriarchal social norms have prevented the women of hip hop from receiving the accolades they deserve, but the artists who have made it their business have paved the way for younger women to take control over their image, music, and branding. Women … even then contribute to the ongoing discourse of what it means to be black and female in America. Scores of female hip hop artists, MCs, rappers, and producers have made their mark on the industry, transforming hip hop culture, ethics, aesthetics, and the business itself.
One of … of the main contributions women have made to the genre is by transforming the public perception of hip hop in general. Some female artists have helped legitimize hip hop, bringing it into the mainstream. For example, one of the earliest female rappers, MC Lyte, became ”the first … female rapper nominated for a……

References

Works Cited

Bruce, La Mar Jurelle. “’The People Inside My Head, Too’: Madness, Black Womanhood, and the Radical Performance of Lauryn Hill.” African American Review, Vol. 45, No. 3 (2012): 371-389.

Jamerson, J’na. ““Best-of” lists and conversations often exclude women. Why?” BBC. 8 Oct, 2019. Retrieved from  http://www.bbc.com/culture/story/20191007-why-are-there-so-few-women-in-best-of-hip-hop-polls 

Morris, Tyana. “The Evolution of Women in Hip Hop.” The Pine Needle. 31 Jan, 2018. Retreived from https://www.pineneedlenews.com/single-post/2018/01/31/The-Evolution-of-Women-in-Hip-Hop

Orcutt, KC. “Each One, Teach One | What generations of women in hip hop teach us about perseverance.” Revolt. Oct 16, 2019. Retrieved from  https://www.revolt.tv/2019/10/16/20917629/women-in-hip-hop-lessons 

Oware, Matthew. “A ‘Man’s Woman’?” Journal of Black Studies, Vol. 39, No. 5 (2007): 786-802.

Tillet, S. (2014). Strange Sampling: Nina Simone and Her Hip-Hop Children. American Quarterly, 66(1), 119–137. doi:10.1353/aq.2014.0006 

UDiscover (2019). Let’s talk about the female MCs who shaped hip-hop. Dec 9, 2019. Retrieved from  https://www.udiscovermusic.com/stories/the-female-rappers-who-shaped-hip-hop/ 

White, Theresa R. “Missy “Misdemeanor” Elliott and Nicki Minaj.” Journal of Black Studies, Vol. 44, No. 6, (2013): 607–626. doi:10.1177/0021934713497365 

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Female Artists In History

Pages: 7 (2218 words) Sources: 5 Document Type:Research Paper Document #:41863907

… are even being felt today in the 21st century.
How the Women Shaped Their Culture
Sofonisba Anguissola
There were not many celebrated female artists of the Renaissance, but Sofonisba Anguissola was one of them and her artistry helped pave the way for other female artists, who were inspired by her works. Her skill, however, was not just admired by women. Michelangelo—the artist responsible for David, the Pieta, the Sistine Chapel ceiling and the Last Supper—was deeply impressed and gave her considerable guidance, as was the … ceiling and the Last Supper—was deeply impressed and gave her considerable guidance, as was the Dutch painter Van Dyck, who as a young artist visited with her when she was in her late 90s in order to learn the “true principles” of painting from a true master … true master (Chisholm, 1911). Her 1565 portrait of Queen Elisabeth of Valois was considered a……

References

References

Chisholm, H. (1911). Sophonisba Angussola. Encyclopædia Britannica, 2 (11th ed.), Cambridge University Press, p. 44.

Jones, E. M. (2000). Libido dominandi: Sexual liberation and political control. South Bend, IN: St. Augustine’ Press.

Juhasz, S. (1983). Feminist Critics Read Emily Dickinson. Bloomington: Indiana University Press.

Sewall, R. B. (1974). The life of Emily Dickinson. NY: Farrar, Strauss and Giroux.

Wollstonecraft, M. (1792). Vindication of the Rights of Woman.  https://www.bartleby.com/144/4.html 

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Scandalous Art Of The 19th Century

Pages: 4 (1327 words) Sources: 4 Document Type:Essay Document #:73431158

… prudish Victorian aspect). Puritanism and prurience defined the two juxtaposing poles. Realism was like the middle ground, the area of the field that artists sought to highlight. Yet, for artists like Courbet, Daumier and Manet, certain subjects—like a mother holding a sleeping baby in the nursing pose on a third-class train, or lesbian … the art-going public would have flinched to be forced to look at in comparison with its own levels of society. Yet these three artists did just that to their public. Daumier compared the upper classes to the lower classes in the carriage set, and Manet dared the ……

References

References

Browne, E. (2020). The third-class carriage. Retrieved from  https://www.sartle.com/artwork/the-third-class-carriage-honore-daumier 

Clark, T. J. (1999). The painting of modern life. Princeton.

Michallat, W. (2007). Lesbian inscriptions in Francophone society and culture. Durham Modern Languages.

Millett-Gallantt, A. (2010). The disabled body in contemporary art. Palgrave Macmillan.

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Hip Hop History And Culture

Pages: 7 (2134 words) Sources: 9 Document Type:Essay Document #:24988404

… complex one that both celebrates youthful joys and energy while also taking different roads towards instigating a dialogue as well. Some hip hop artists have been thoughtful and have challenged the status quo with lyrics and albums that have provoked discussion in a sober-minded way (such as … all races and genders at times in their lives no matter where they live. Its use of sampling tracks from other songs and artists that are not in any way associated with hip hop has enabled the genre of music to reinvent songs and sounds in a … of music to reinvent songs and sounds in a way that brings new life and new blood to art form. By sampling other artists hip hop culture has transcended the status quo and incorporated everything that has come before into something that is unique in much the … is thus a blend of……

References

Works Cited

BBC. “The birth of hip hop.” BBC.  https://www.bbc.co.uk/programmes/p04s04nk 

Best, Steven, and Douglas Kellner. "Rap, black rage, and racial difference."  Enculturation 2.2 (1999): 1-23.

Brown, Jake. Tupac Shakur, (2-Pac) in the Studio: The Studio Years (1989-1996). Phoenix, AZ: Colossus Books, 2005.

Decker, Jeffrey Louis. "The state of rap: Time and place in hip hop nationalism." Social Text 34 (1993): 53-84.

Fluker, Walter. The Stones that the Builders Rejected. Harrisburg, PA: Trinity Press International, 1998.

Grandmaster Flash and the Furious Five. “The Message.”  https://www.youtube.com/watch?v=PobrSpMwKk4 

Jones, E. Michael. Libido Dominandi: Sexual Liberation and Political Control. South Bend, IN: St. Augustine’s Press, 2000.

Pareles, Jon. “Hip-Hop Is Rock ’n’ Roll, and Hall of Fame Likes It.” The New York Times, 13 March 2007.  https://www.nytimes.com/2007/03/13/arts/music/13hall.html

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How Media Perpetuate Racism

Pages: 9 (2554 words) Sources: 15 Document Type:Essay Document #:95502793

… eponymous Lynch, whose letter on how to control slaves opened this essay) with nature. The poem was later turned into a song that artists from Billie Holiday to Nina Simone sung throughout the following decades. Simone’s came at a time when the problem of racism in America … the American public by mass media, endlessly, in the 1990s.
But they were not the only images. At the same time, hip hop artists were doing their part to perpetuate a negative stereotype of blacks as aggressive, thuggish and immoral (Guy). As Heaggans states, “hip-hop artists have taken on the tools of oppression and become the oppressor by perpetuating historically negative images and messages that many whites and others … historically negative images and messages that many whites and others still hold true about black…[break]…minorities in the mainstream media. Though the hip hop artists of the modern era have been criticized……

References

Works Cited

Adorno, Theodor and M. Horkheimer. The culture industry: Enlightenment as mass deception. Stardom and celebrity: A reader, 34, 2007.

Aldrige, Derick. “From Civil Rights to Hip Hop: Toward a Nexus of Ideas.” http://www.thehiphopproject.org/site/pdfs/hhp_civilRights.pdf

Blair, Elizabeth. “The Strange Story of the Man behind Strange Fruit.” NPR.  http://www.npr.org/2012/09/05/158933012/the-strange-story-of-the-man-behind-strange-fruit 

Cashmore, Ellis. The Black culture industry. Routledge, 2006.

Collins, Patricia Hill. "New commodities, new consumers: Selling blackness in a global marketplace." Ethnicities 6.3 (2006): 297-317.

Davis, Angela. The Meaning of Freedom. San Francisco, CA: City Light Books, 2012.

Guy, Talmadge C. "Gangsta rap and adult education." New directions for adult and continuing education 2004.101 (2004): 43-57.

Heaggans, Raphael C. "When the oppressed becomes the oppressor: Willie Lynch and the politics of race and racism in hip-hop music." West Virginia University Philological Papers 50 (2003): 77-81.

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Impact Of Culture On Domestic Violence

Pages: 12 (3547 words) Sources: 21 Document Type:Research Paper Document #:31105337

… anger and resentment, which is compounded by other media depictions of black activities especially those in hip hop, rap and music videos by artists like 50 Cent or Lil Wayne. Blacks are portrayed as womanizing drug addicted hoodlums. Kanye West confesses that he too used to portray ……

References

References

Adorno, T. & Horkheimer, M. (2007). The culture industry: Enlightenment as mass deception. Stardom and celebrity: A reader, 34, 2007.

Bandura, A. (2018). Toward a psychology of human agency: Pathways and reflections.  Perspectives on Psychological Science, 13(2), 130-136.  https://doi.org/10.1177/1745691617699280 

Breger, M. L. (2017). Reforming by re-norming: How the legal system has the potential to change a toxic culture of domestic violence. J. Legis., 44, 170.

Cashmore, E. (2006). The Black culture industry. Routledge.

Coleman, L. (1974). Carl Van Vechten Presents the New Negro. Studies in the Literary Imagination, 7(2), 85.

Cramer, E. P., Choi, Y. J., & Ross, A. I. (2017). Race, Culture, and Abuse of Persons with Disabilities. In Religion, Disability, and Interpersonal Violence (pp. 89-110). Champaign, IL: Springer.

Davis, A. (2012). The Meaning of Freedom. San Francisco, CA: City Light Books.

Decker, J. L. (1993). The state of rap: Time and place in hip hop nationalism. Social Text, (34), 53-84.

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Music And Culture Marvin Gaye

Pages: 4 (1072 words) Sources: 6 Document Type:Essay Document #:72294755

… and Marvin continued to work primarily as a drummer for other bands.
In 1962, Marvin began to have more success as an R&B artist with his album Stubborn Kind of Fool. Marvin continued to work for Motown and had a series of hits recording works like “Ain’t ……

References

References

Gulla, B. (2008). Icons of R&B and Soul: An Encyclopedia of the Artists Who Revolutionized Rhythm. ABC-CLIO. 

Posner, G. (2002). Motown : Music, Money, Sex, and Power. New York: Random House. 

Ritz, D. (1991). Divided Soul: The Life of Marvin Gaye. Cambridge, Mass: Da Capo Press. 

Turner, S. (1998). Trouble Man: The Life and Death of Marvin Gaye. London: Michael Joseph.

Vincent, R. (1996). Funk: The Music, the People, and the Rhythm of the One. Macmillan.

Whitburn, Joel (2004). The Billboard Book of Top 40 Hits: Complete Chart Information About America's Most Popular Songs and Artists, 1955–2003. Billboard Books. 

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Physical And Mental Disabilities In The Workplace

Pages: 9 (2585 words) Sources: 15 Document Type:Research Paper Document #:74915062

… the ultimate mirror for reflecting who people are, what their strengths are and what their weaknesses are. It was Shakespeare who said that artists “hold the mirror up to nature” to show man what he is. In the 20th century, the humanities have been very helpful in ……

References

References

Baruch, Y. (2000). Teleworking: benefits and pitfalls as perceived by professionals and managers. New technology, work and employment, 15(1), 34-49.

Bortz, D. (2018). Can Blind Hiring Improve Workplace Diversity? Retrieved from  https://www.shrm.org/hr-today/news/hr-magazine/0418/pages/can-blind-hiring-improve-workplace-diversity.aspx 

Center for Disability Rights. (2019). Ableism. Retrieved from  http://cdrnys.org/blog/uncategorized/ableism/ 

Corrigan, P. W. (2016). Lessons learned from unintended consequences about erasing the stigma of mental illness. World Psychiatry, 15(1), 67-73.

Fabian, R. (2019). New Marvel Film \\\\\\\\\\\\'The Eternals\\\\\\\\\\\\' Will Feature First Deaf Superhero. Retrieved from https://finance.yahoo.com/news/marvel-film-eternals-feature-first-211402332.html

Faurer, J., Rogers-Brodersen, A., & Bailie, P. (2014). Managing the re-employment of military veterans through the Transition Assistance Program (TAP). Journal of Business & Economics Research (Online), 12(1), 55.

Guruge, S., Wang, A. Z. Y., Jayasuriya-Illesinghe, V., & Sidani, S. (2017). Knowing so much, yet knowing so little: a scoping review of interventions that address the stigma of mental illness in the Canadian context. Psychology, Health & Medicine, 22(5), 507-523.

Marquis, J.P., Lim, N., Kavanagh, J., Harrell, M.C. & Scott, L.M. (2007). Managing Diversity in Corporate America: An Exploratory Analysis. Pittsburgh, PA: Rand Corporation.

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How Gregorian Chant Changed Sacred Music In The Middle Ages

Pages: 5 (1553 words) Sources: 5 Document Type:Essay Document #:92405285

… riches started to push the faith to the margins. Sacred plainchant was supplanted by more and more secular music and the great musical artists of the later centuries, from Mozart to Beethoven to Brahms to Wagner, all produced mainly secular pieces. The sacredness of music that existed ……

References

Works Cited

Grout, Donald. A History of Western Music. New York: W. W. Norton & Co, 1960.

Hiley, David. Western Plainchant: A Handbook. Clarendon Press, 1995.

Laux, J. Church History. IL: TAN, 1989.

Meconi, Honey. Hildegard of Bingen. University of Illinois Press, 2018.

Wilson, David. Music of the Middle Ages Schirmer Books, 1990.

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Gun Violence Among African American Community

Pages: 8 (2438 words) Sources: 7 Document Type:Essay Document #:71870574

… has crept into the black community and has become part of the culture. That culture exploded with the rise of gangsta rap and artists like NWA rapping about the realities of violence on the streets. Other hip hop artists like Tupac Shakur, however, adopted a different tone…[break]…sense of purpose. If a community is robbed of its identity because of a perception of ……

References

References

Brown, J. (2005). Tupac Shakur, (2-Pac) in the Studio: The Studio Years (1989-1996). Phoenix, AZ: Colossus Books.

Carbado, D. W. (2017). From Stop and Frisk to Shoot and Kill: Terry v. Ohio's Pathway to Police Violence. UCLA L. Rev., 64, 1508.

Howard University. (2020). PHD in social work. Retrieved from  https://socialwork.howard.edu/admissions/programs-study/phd-social-work " target="_blank" REL="NOFOLLOW">

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