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Truman Show Is the Movie Essay

Pages:5 (1810 words)

Sources:8

Document Type:Essay

Document:#53583002




Much like the assertion of Dusty Lavoie earlier in this paper, Simone Knox believes that "…little detailed analysis has been offered on the film" (Knox, 2010, 1). Knox takes care of that problem with a long essay that, in the end, compares "Seahaven" with Disneyland. But along the way Knox affirms the artistic legitimacy of The Truman Show, adding that the film does "not ask the audience to work out (along with the protagonist) that things are not quite as they seem" (9). Because in film, things rarely are "as they seem" and that, after all, is the point of art.

Conclusion

Art does imitate life, and when a film is made that is so shockingly creative and mysterious -- and like Tolstoy explains, also has a moral tone to it -- it is most assuredly art. Whether or not all film is art can be left up to the pundits and scholars. But for this amazing film, it is a new kind of art, blending reality TV (before reality TV hit the airwaves) and a film genre into an entirely unique experience for filmgoers.

Bibliography

Graham, Gordon, 1997, 'From Painting to Film', Philosophy of the Arts, Routledge: London, 100-109.

Griffen, Danel, 2008, 'My Beliefs Regarding Film', University of Alaska Southeast, retrieved September 12, 2011, from http://uashome.alaska.edu/~dfgriffin/website/mission.htm.

Kafalenos, Emma, 2003, 'The Power of Double Coding to Represent New Forms of Representation: The Truman Show, Dorian Gray, 'Blow-Up,' and Whistler's Caprice in Purple and Gold', Poetics Today, vol. 24, 1-31.

Knox, Simone, 2010, 'Reading The Truman Show Inside Out', Film Criticism, vol. XXXV, 1-23.

Lavoie, Dusty, 2011, 'Escaping the Panopticon: Utopia, Hegemony, and Performance in Peter Weir's The Truman Show', Utopian Studies, vol. 22, 53-72.

Prinz, Jesse J., 2007, 'When is Film Art?' University of North Carolina at Chapel Hill. Retrieved September 12, 2011, from http://www.unc.edu/~prinz/WhenIsFilmArtPrinz.pdf.

Scott, Alex, 2002,…


Sample Source(s) Used

Bibliography

Graham, Gordon, 1997, 'From Painting to Film', Philosophy of the Arts, Routledge: London, 100-109.

Griffen, Danel, 2008, 'My Beliefs Regarding Film', University of Alaska Southeast, retrieved September 12, 2011, from http://uashome.alaska.edu/~dfgriffin/website/mission.htm.

Kafalenos, Emma, 2003, 'The Power of Double Coding to Represent New Forms of Representation: The Truman Show, Dorian Gray, 'Blow-Up,' and Whistler's Caprice in Purple and Gold', Poetics Today, vol. 24, 1-31.

Knox, Simone, 2010, 'Reading The Truman Show Inside Out', Film Criticism, vol. XXXV, 1-23.

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