On the contrary, Giotto di Bondone had been a revolutionary, as he seemed to be determined to desert long-standing concepts in favor of newer, and more evolved ones.
Byzantine paintings have a general tendency to represent scenes from a two-dimensional perspective, and, most probably, in order to compensate with the lack of spatial depth, they use a greater number of details. In Giotto's Christ Entering Jerusalem, viewers feel as if they are part of the painting, with the painter's desire to involve three-dimensionality into his painting being obvious. Also, the painter simplified the painting by abandoning complexity and focusing on the essential. Duccio, on the other hand, has involved much more details in his portrayal of Christ Entering Jerusalem. Regardless of the attention paid by Duccio to details, his painting lacks realism, viewers being able to observe that the figures in it appear to be floating.
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