Lyric Essays (Examples)
Study Document
Female Hip Hop Artists Impact
… money, and objectifying women. Scholarly analyses of female hip hop artists reveal that even when some female rappers use these tropes in their lyrics or videos, their being center stage conveys a sort of irony that needs to be considered as deliberate and subversive; a means by … crass misogyny, reflecting a narrow-minded view of the genre that overlooks the many artists who have eschewed negative or disempowering motifs either in lyrics or in music videos. Women in hip hop have occasionally succumbed to the male gaze and the patriarchal, heteronormative aesthetic, but a large … female hip hop superstars, “made a name for herself talking about issues in the…[break]…about such subjects to draw attention to social injustice. Explicit lyrics became the calling card of many female rappers, who earned their street cred for sassy and clever x-rated lyrics: most notably Lil Kim and Foxy Brown. A great number……
References
Works Cited
Bruce, La Mar Jurelle. “’The People Inside My Head, Too’: Madness, Black Womanhood, and the Radical Performance of Lauryn Hill.” African American Review, Vol. 45, No. 3 (2012): 371-389.
Jamerson, J’na. ““Best-of” lists and conversations often exclude women. Why?” BBC. 8 Oct, 2019. Retrieved from http://www.bbc.com/culture/story/20191007-why-are-there-so-few-women-in-best-of-hip-hop-polls
Morris, Tyana. “The Evolution of Women in Hip Hop.” The Pine Needle. 31 Jan, 2018. Retreived from https://www.pineneedlenews.com/single-post/2018/01/31/The-Evolution-of-Women-in-Hip-Hop
Orcutt, KC. “Each One, Teach One | What generations of women in hip hop teach us about perseverance.” Revolt. Oct 16, 2019. Retrieved from https://www.revolt.tv/2019/10/16/20917629/women-in-hip-hop-lessons
Oware, Matthew. “A ‘Man’s Woman’?” Journal of Black Studies, Vol. 39, No. 5 (2007): 786-802.
Tillet, S. (2014). Strange Sampling: Nina Simone and Her Hip-Hop Children. American Quarterly, 66(1), 119–137. doi:10.1353/aq.2014.0006
UDiscover (2019). Let’s talk about the female MCs who shaped hip-hop. Dec 9, 2019. Retrieved from https://www.udiscovermusic.com/stories/the-female-rappers-who-shaped-hip-hop/
White, Theresa R. “Missy “Misdemeanor” Elliott and Nicki Minaj.” Journal of Black Studies, Vol. 44, No. 6, (2013): 607–626. doi:10.1177/0021934713497365
Study Document
Hip Hop History And Culture
… taking different roads towards instigating a dialogue as well. Some hip hop artists have been thoughtful and have challenged the status quo with lyrics and albums that have provoked discussion in a sober-minded way (such as was the case with Tupac Shakur), while others have been more … creating new sounds by manipulating the beats of records (BBC). One of the most common characteristics of emceeing was that the rhymes and lyrics tended to be confrontational and antagonistic to the authorities, boastful, and sexually provocative. These were lyrics and rhymes designed to effect a reaction from the audience. Hip hop artists that emerged from this scene tended to take a serious … that hip-hop was more than party music with their 1982 hit ‘The Message,’” which catapulted them to the forefront of the genre with lyrics like: “It's all about money, ain't a damn thing funny You got to……
References
Works Cited
BBC. “The birth of hip hop.” BBC. https://www.bbc.co.uk/programmes/p04s04nk
Best, Steven, and Douglas Kellner. "Rap, black rage, and racial difference." Enculturation 2.2 (1999): 1-23.
Brown, Jake. Tupac Shakur, (2-Pac) in the Studio: The Studio Years (1989-1996). Phoenix, AZ: Colossus Books, 2005.
Decker, Jeffrey Louis. "The state of rap: Time and place in hip hop nationalism." Social Text 34 (1993): 53-84.
Fluker, Walter. The Stones that the Builders Rejected. Harrisburg, PA: Trinity Press International, 1998.
Grandmaster Flash and the Furious Five. “The Message.” https://www.youtube.com/watch?v=PobrSpMwKk4
Jones, E. Michael. Libido Dominandi: Sexual Liberation and Political Control. South Bend, IN: St. Augustine’s Press, 2000.
Pareles, Jon. “Hip-Hop Is Rock ’n’ Roll, and Hall of Fame Likes It.” The New York Times, 13 March 2007. https://www.nytimes.com/2007/03/13/arts/music/13hall.html
Study Document
Born In The USA By Bruce Springsteen
...Lyric Political Songs and Government
Born in the USA was written by Bruce Springsteen in 1981 after being inspired by a movie script sent to him called “Born in the USA” (Konow & Mercurio, 2015). Springsteen’s song was written with the Vietnam war in mind and the plight of the Vietnam Veteran and average working class kid being sent off to war. The song starts off talking about being “born in a dead man’s town”—a line that could symbolize two things, a town named after a long-dead person or a town that is literally a dead end for hopes and dreams. The song proceeds to describe how hard life is for someone growing up in a dead town—everyone goes around like a beat dog, just trying to survive. Yet the country is so cruel that when one gets into a little trouble the punishment does not fit the crime: the singer……
References
References
Ames, D., Erickson, Z., Youssef, N. A., Arnold, I., Adamson, C. S., Sones, A. C., ... & Oliver, J. P. (2018). Moral injury, religiosity, and suicide risk in US veterans and active duty military with PTSD symptoms. Military medicine, 184(3-4), e271-e278.
Konow, D. & Mercurio, J. (2015). Transformation in Art: The Films of Paul Schrader. Retrieved from https://creativescreenwriting.com/transformation-in-art-the-films-of-paul-schrader/
Lyrics to Born in the USA
Study Document
Impact Of Culture On Domestic Violence
...Lyric Representations of Black Culture in the Media
Introduction
Culture theory is one theory that can be used to explain domestic violence. As Serrat (2017) notes, culture is the set of “distinctive ideas, beliefs, values, and knowledge” that define the way people behave and think (p. 31). This theory suggests that the way people act is based on the inputs they receive from their environment; and peers, groups, and media all go into shaping their perception of themselves and those around them (Bandura, 2018). If the culture in which they grow up signals to them that treating people in an inhumane way is acceptable, then those individuals are likely to engage in domestic violence acts as they feel or believe that it is an acceptable mode of behavior, sanctioned by the culture in which they live. The culture of media, friends, family, schools, churches and other organizations may all play a……
References
References
Adorno, T. & Horkheimer, M. (2007). The culture industry: Enlightenment as mass deception. Stardom and celebrity: A reader, 34, 2007.
Bandura, A. (2018). Toward a psychology of human agency: Pathways and reflections. Perspectives on Psychological Science, 13(2), 130-136. https://doi.org/10.1177/1745691617699280
Breger, M. L. (2017). Reforming by re-norming: How the legal system has the potential to change a toxic culture of domestic violence. J. Legis., 44, 170.
Cashmore, E. (2006). The Black culture industry. Routledge.
Coleman, L. (1974). Carl Van Vechten Presents the New Negro. Studies in the Literary Imagination, 7(2), 85.
Cramer, E. P., Choi, Y. J., & Ross, A. I. (2017). Race, Culture, and Abuse of Persons with Disabilities. In Religion, Disability, and Interpersonal Violence (pp. 89-110). Champaign, IL: Springer.
Davis, A. (2012). The Meaning of Freedom. San Francisco, CA: City Light Books.
Decker, J. L. (1993). The state of rap: Time and place in hip hop nationalism. Social Text, (34), 53-84.
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