Analysis Essays (Examples)
Study Document
The Battleship Potemkin
...Analysis Eisenstein’s 1925 silent film, produced during the Soviet era, depicts the mutiny on the Battleship Potemkin from the year 1905, prior to the Soviet takeover of the state and seen as a foreshadowing of the wider revolution that was to come. In the film, the mutineers/rebels are depicted as heroes, embodying the spirit of the fight against Tsarist oppression that the good comrades of the Soviet world wanted to project. The Cossacks (themselves a symbol of Russian tradition that the Soviet era comrades despised) and the Tsarist cavalry are depicted as brutal thugs, slaughtering the innocent people of Odessa for daring to show support for the mutineers. As Odessa was one of the most open cities for Jews to live in the Pale of Settlement, the slaughter of people can be seen also as a persecution of Jews, especially since the Soviet Revolution was largely Jewish in nature and Eisenstein……
References
Works Cited
Bascomb, Neal. Red Mutiny: Eleven Fateful Days on the Battleship Potemkin. Boston: Houghton Mifflin, 2007.
Eisenstein, Sergei. The Battleship Potemkin.
Neff, Taylor. \\\\\\\\\\\\"Propaganda on the Big Screen: Film in the Soviet Union from 1925 to 1936.\\\\\\\\\\\\" The FGCUStudent Research Journal 3.2 (2017).
Osborn, Andrew. “Potemkin: the mutiny, the movie and the myth.” The Independent, June 14, 2005. https://www.independent.co.uk/news/world/europe/potemkin-the-mutiny-the-movie-and-the-myth-225737.html
Study Document
Female Hip Hop Artists Impact
...Analysis Women have always been part of hip hop, even though their accomplishments and impact have been understated and unsung. Yet any cursory examination of the history of hip hop reveals countless female musicians and performers. Some, like Queen Latifah, Missy Elliot, Salt-N-Pepa, Lauryn Hill, and Nicki Minaj, become household words. Hundreds of others remain behind the scenes, known mainly to audiophiles or serious music historians. Tracing hip hop back to its roots shows how the musical genre and its ethos evolved as the counterpart to a broader movement for social and political change. Women have remained at the forefront of the cultural revolution that is hip hop, ensuring that feminist values and ideals become mainstream while also making sure that feminism does not become whitewashed. Patriarchal social norms have prevented the women of hip hop from receiving the accolades they deserve, but the artists who have made it their business……
References
Works Cited
Bruce, La Mar Jurelle. “’The People Inside My Head, Too’: Madness, Black Womanhood, and the Radical Performance of Lauryn Hill.” African American Review, Vol. 45, No. 3 (2012): 371-389.
Jamerson, J’na. ““Best-of” lists and conversations often exclude women. Why?” BBC. 8 Oct, 2019. Retrieved from http://www.bbc.com/culture/story/20191007-why-are-there-so-few-women-in-best-of-hip-hop-polls
Morris, Tyana. “The Evolution of Women in Hip Hop.” The Pine Needle. 31 Jan, 2018. Retreived from https://www.pineneedlenews.com/single-post/2018/01/31/The-Evolution-of-Women-in-Hip-Hop
Orcutt, KC. “Each One, Teach One | What generations of women in hip hop teach us about perseverance.” Revolt. Oct 16, 2019. Retrieved from https://www.revolt.tv/2019/10/16/20917629/women-in-hip-hop-lessons
Oware, Matthew. “A ‘Man’s Woman’?” Journal of Black Studies, Vol. 39, No. 5 (2007): 786-802.
Tillet, S. (2014). Strange Sampling: Nina Simone and Her Hip-Hop Children. American Quarterly, 66(1), 119–137. doi:10.1353/aq.2014.0006
UDiscover (2019). Let’s talk about the female MCs who shaped hip-hop. Dec 9, 2019. Retrieved from https://www.udiscovermusic.com/stories/the-female-rappers-who-shaped-hip-hop/
White, Theresa R. “Missy “Misdemeanor” Elliott and Nicki Minaj.” Journal of Black Studies, Vol. 44, No. 6, (2013): 607–626. doi:10.1177/0021934713497365
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